This didn’t surprise me to be honest as I’ve fallen in love with almost every lens in Sigma’s Contemporary and Art series for mirrorless cameras so far! The barrel is constructed from a mix of plastic, metal and Thermally Stable Composite and feels very solid in the hand but only the brass bayonet mount is sealed against dust and moisture. Note: Product links in … However, the only problem is its single focal length. Photographed with Sony – E 50mm F1.8 OSS Portrait Lens. Another bonus for users of non-stabilised bodies is the inclusion of OSS, which means you can take sharp shots down to 1/10s at 16mm if you are steady. It is built of metal and glass. With sharp images, it’s a favorite by pro photographers who work with food photography or product photography. It is also known for its quiet focusing capability allowing you to shoot discreetly especially if you plan on using this to observe animals in the wild. If the sun is in your frame, you can expect an orb-like green flare to appear in your image, so it is best to keep the lens hood attached at all times to mitigate the effects. On top of that, you also have the Nano AR coating that helps in suppressing the reflections. Weight: … One main benefit to having this specific lens mount is that there are secondary manufacturers that have made adapters that allow the E Mount platform to adapt to all major lens ecosystems. It makes a good Sony A6000 macro lens given its ability to take sharp images. width: 30px; Thank you! The resistance to flare and chromatic aberration is excellent and the unusual field of view (close to a 31.5mm lens in full-frame terms) makes it versatile for street, reportage and landscapes. Within the article, there are affiliate links. Sony – E 10-18mm F4 OSS Wide-angle Zoom Lens. While this is a sensible choice of lens to start with, with a retractable design that enables a particularly small and light stowage size, if you want to get the most out of these cameras, you need to think about how to upgrade. Some strong flare and ghosting can appear in extreme backlit situations but I didn’t find it to be overly problematic. 8202 Lambert Drive, Huntington Beach, California, Samyang 12mm F2.8 Ultra Wide Fisheye Lens, Sony FE 200-600mm F5.6-6.3 G OSS Telephoto, Allows you to shoot both up-close and from afar, Has stabilization to prevent shaky photos, Perfect for wildlife photography with its quiet motor, Great for portrait with its f1.8 aperture, You need to be the one to adjust closer or farther from the subject, A good option even in low light conditions, You will need to get closer or farther to your subject to get the best shot, Autofocus issue when shooting subjects under a headlamp, Can be used extensively even in low lights scenarios, Minimum focusing distance is only 7.9 inches, Photographers rarely need fish-eye lenses, Allows you to shoot landscapes and close up shots, More expensive than the typical 50mm prime lens. This article covers the best Sony e-mount lenses for landscape photography in both crop and full-frame formats. Broadly speaking, the full-frame models are among the best cameras for professionals, while the APS-C models are more for hobbyists and enthusiasts.. Sony cameras are among the best mirrorless cameras, especially for action subjects, video and vlogging, so it makes sense to choose the best lenses you can afford. } Sale. Unlike zoom lenses, you will have to get closer or farther from your subject if you want the best shots. But as it turns out, it is a very good performer. Priced around $2,000, it goes beyond the usual budget of your average photographer. Here are the recommended regular prime (portrait) lenses for Sony A6000. The Best Wide Angle Lenses for Landscapes – Sony a6000 / a6300 / a6400 / a6500 Last updated: August 27, 2019 Go to Comments A quick look inside the camera bag of most photographers will usually reveal at least one wide-angle prime or zoom. Best Overall: Sigma 56mm for E-Mount (Sony) Fixed Prime Camera Lens. Thanks! Believe me, I know how exciting, yet difficult it can be to find the perfect lens for your camera especially since it can be an investment. On top of that, it is a great lens for shooting landscape. The Sony FE 200-600mm F5.6-6.3 G OSS Super Telephoto Lens is easily one of the top picks for best lenses for Sony A6000 simply because of the distance that it can cover. 47th Street Photo: Super 500mm/1000mm f/8 Manual Telephoto Lens for Sony a9, a7r, a7s, a7, … .wp-classic-pros-cons .wppc-header .wppc-box-symbol img { Here is a selection of the best lenses compatible with the Sony a6000 to help you make a good collection that is useful in all situations, whether for travel, portrait or landscape photography. The Sony 24-70mm f/4 OSS is the definition of versatile, making it one of the best Sony lenses for landscape photography. However, it is still not enough for low-light conditions. First on the list of best lenses for Sony a6000 is the 70-300mm G Series Telephoto lens. On top of that, it offers superb image quality once paired with the A6000. Unfortunately, the aperture is the deal-breaker for this lens. I could easily see myself losing it at some point in the future! Though it isn’t a perfect lens, we think that it is one of the best lenses for Sony A6000 simply because it can be used for different situations. Included is a small petal shaped lens hood. Although it benefits from a constant f/4 aperture, sharpness is never as good at this value as it is at f/5.6 or f/8. Most of the barrel is constructed from solid metal, with the exception of the smooth rubber focus ring which is very precise and enjoyable to use. Wide-angle prime lenses are a good choice, not only because they tend to offer better optical quality than zooms but also because they usually boast a brighter maximum aperture. Note that vignetting and chromatic aberration are present at f/2.8 and f/4 and flare will occur if you shoot into direct sunlight. The Rokinon 35mm F1.2 Wide Angle Lens provides you with the flexibility you need when it comes to your depth of field. Both are pleasant to use. Sony FE 90mm f2.8-22 Macro lens is a handy tool for shooting the subtle details of your subject. One of the only lenses available for this camera that isn’t made by Sony, Sigma has done an incredible job creating their Contemporary Lens. One of the best deals you can find for your Sony APS-C camera is the Samyang Rokinon 12mm f/2 whose field of view sits in between ultra wide and moderately wide at 18mm in 35mm terms. And for both genres, having the right telephoto lens can make a huge difference. }. When I was researching what prime lens to buy for my camera for landscape photography, I was unsure about the difference between all of the options. It is also discreet while it focuses thanks to its DDSSM technology. Distortion is minimal for a lens this wide. My biggest complaint concerns the plastic lens cap: it is fiddly to reattach and the clips don’t lock on tightly enough. Super-Wide Prime Lenses2. When working in S-AF, we generally found the linear AF motor to be quick and silent. And since it has a large aperture, it can blur the background in case you need to highlight your subject. Sony E 16mm f/2.8. If you decide to buy something after clicking the link, we will receive a small commission. the 2.8 aperture is handy for low-light work, compact and affordable for a wide-angle lens, lack of electronic contacts means you cannot transfer EXIF data, the perfect combination of affordability and quality, excellent performance from the fastest aperture, you cannot apply corrections to JPGs taken in-camera because the camera and lens don’t communicate EXIF data, optical quality is exactly what you’d expect from a Zeiss product, one of the more expensive lenses on this list, one of the widest and least expensive options listed here, good build quality and good sharpness at f/5.6 and f/8, corners are softer than the centre, especially at f/2.8 and f/4, manual focus lenses doesn’t transmit EXIF data, fiddly cap (but this may be limited to my copy), the 1.4 aperture is handy for low-light work, optical quality is excellent for the price, fast f/1.4 aperture is great for low-light work and separating subject from background, corners are softer than the centre at all values, 31.5mm equivalent focal length is somewhat unusual (it sits between a 28mm and 35mm lens), it’s the only ultra wide AF zoom for APS-C cameras, offers a very versatile range of focal lengths, sharpness isn’t as good at f/4 as it is at other values, lots of distortion and vignetting (but it can be corrected), it works as both a landscape lens and all-purpose lens thanks to flexible zoom range, sharpness falls off in the corners and at 70mm. .wp-classic-pros-cons .wppc-verdict-wrapper { Distortion and vignetting aren’t an issue despite the ultra wide focal length of this lens, and flare and chromatic aberration hardly appear at all. This prime lens allows you to blur backgrounds and highlight your subject with ease. … You might come across some chromatic aberration at the fastest values but you can easily correct it in post production. Click/tap on each lens name to jump to that section. It’s an all-around lens that often ends up staying on your camera while others languish in your camera bag. The Sony 18-135mm F3.5-5.6 OSS APS-C E-mount Zoom Lens is your all-in-one dependable lens. For example, Lonely Speck states that the levels of coma at f/2 are very low and practically non-existent by f/2.8. The build quality is on par with most Sony APS-C lenses: it has a black plastic finish and a metal lens mount. Within the E-mount category, there are now plenty of prime lenses to choose between as you’ll see below. It comes with a smooth fly-by-wire focus ring and a 46mm filter thread. And also, it’s a handy tool when shooting even in low light conditions. It is due to its heavy-duty construction. In this post I’m going to personally review the 12 best lenses for the Sony Alpha A6000 based on a category. It offers sharp results when used with Sony A6000 not to mention you can easily switch between AF and MF any time. The main drawback of most wide-angle zooms designed for Sony APS-C cameras however is that they aren’t particularly bright, making them more challenging to use in low-light situations. Pick the one you prefer best. These cameras work best with lenses designed for the APS-C format, especially when looking at ultra-wide angle lenses. Vignetting isn’t an issue but distortion must be corrected with the lens profile since it is quite evident at 16mm. Is the Sony A6000 kit lens a good option? Being a very compact lens, it is also a good match for Sony APS-C cameras. In this article, we’re going to take a look at the best wide-angle options currently available to those who use Sony APS-C models such as the a6000, a6300, a6400 and a6500. 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